Looks from Autumn Adeigbo fall 2023.
Published
3 weeks agoon
By
ironity
The MAGIC and Coterie trade shows returned to New York’s Jacob K. Javits Center from Feb. 21 to 23. Across both shows, emerging labels and new exhibitors debuted collections across ready-to-wear, footwear and accessories for spring 2023.
Here, WWD highlights seven contemporary women’s ready-to-wear and accessories brands from the New York Coterie and MAGIC shows.
Looks from Autumn Adeigbo fall 2023.
Brand: Autumn Adeigbo
Designer: Autumn Adeigbo
Backstory: “I’m the founder, CEO and creative director of my eponymous label, Autumn Adeigbo: culture, color, conscience,” the designer, who debuted her label in 2016 and has raised more than $4.2 million from investors in the last two years, told WWD.
“We’re an ethical and sustainable brand based with production in New York City, with also an office in Los Angeles. For fall 2023, I was inspired by a ranch that I went to Malibu — it was this really beautiful expanse of land with horses and cows. I never thought that this was the direction that my brand would take, but apparently it’s actually in the zeitgeist of what [buyers] are calling ‘new Americana.’ Details include lots of flannels, plaids, horse emblems throughout, ikat prints and our staple African prints, vegan leather — a mix between a suede and leather, fringe details, corsets layered over dresses. We like to do classics with a strong twist.”
Fall marked Adeigbo’s first time exhibiting at Coterie as part of Informa’s Informa Markets Fashion for Change incubator program, where she showed debut jewelry alongside her fall ready-to-wear and accessories collection.
Key pieces: A hand-applied tassel-detailed corset layered atop an ikat dress; a cotton-blend plaid dress (and myriad patchworked, smocked and paneled ikat or plaid frocks); a jacquard knit twinset with horse motif appliqués; fringed leather and suede trousers; a gingham tank and matching pant; debut capsule of thematic, playful jewelry.
Retail prices: Coasters for $30; headbands from $45 to just over $100; footwear from $600 to $1,200; ready-to-wear from $300 to $1,200.
Piper & Skye
Brand: Piper & Skye
Designer: Joanna MacDonald
Background: Piper & Skye is an emerging luxury handbag brand, launched in 2015 in Toronto and New York City, created to bridge the gap between sustainability and luxury. Materials sourcing meets strict standards related to biodiversity and ecosystem regeneration. “We Love What We’re Made Of,” is the brand tag line. “We believe how a product is made, what it is made of, and the people who make it are just as important as the product itself. It is our mission, in line with our values of respect, responsibility and community, to create beautifully unique, luxury handbags, both ethically and sustainably. This includes our internal team, all vendors, suppliers and manufacturers, as well as partners and mentors. It has taken years of being in the business and growing our handpicked network to have the confidence we have today to stand behind our material selections and alliances,” said Joanna MacDonald, founder and creative director.
Key pieces: The Del Ray shopper, Playa shoulder bag, Lola crossbody and clutch with removable strap
Retail prices (in USD) : Core collection: $450 to $1,170; small goods: $225 to $270
Freyrs eyewear
Brand: Freyrs Eyewear
Background: Freyrs tarted in Chicago in 2016 with a mission to create true value for the end consumer.
They use hypoallergenic stainless steel (for metal frames) polycarbonate lenses with excellent clarity and 100 percent UV protection. All mirrored lenses have anti-scratch and anti-oil coatings. For their plastic frames, the brand uses high-quality polycarbonate or biodegradable acetate.
Key styles: Shey aviators, Billie aviators, Selina cat-eyes, Austin.
Retail prices: $65 to $85
A look from Mozdeh Matin fall 2023.
Brand: Mozhdeh Matin
Designer: Mozhdeh Matin
Backstory: In 2015, designer Mozhdeh Matin debuted her first ready-to-wear label, Mozh Mozh; the label was rebranded eponymously in 2022 with a continued focus on codes of community, heritage and artisanship.
“Mozhdeh Matin is a luxury brand that works with artisans safeguarding Peruvian textiles and techniques while emphasizing form and detail in design. We are interested in using the highest-quality materials, such as alpaca and cotton which are native to Peru. We seek to innovate traditional techniques and continue to forge working alliances with artisans of native villages,” a statement from the brand read.
“Loaded with symbolism, Mozhdeh Matin planted the seeds that harvested Matin’s artistic ethos: To encourage the preservation of ancestral crafts transmitted through the local culture and its unique wisdom.…Framed in the study of color, gentle silhouettes and surprising textures, Matin’s creations come to life through traditional Peruvian weaving and knitting techniques energized with modern sophistication and textile innovation. A concept both deeply personal and universally relevant, Mozhdeh Matin creates artful garment compositions embedded with history — connecting the past to the present for future generations.”
Key pieces: Tulipan black midi dress; Chunky mini jacket, top and bottom; 100 percent natural rubber cargo pants; Carnaval long dress; Capsule knot bags and mini Cupis bag; Zig Zag dress.
Retail prices: $170 to $700.
A look from Abrand Jeans.
Brand: Abrand Jeans
Designer: Cofounder and creative director, Par Lundquvist leads Tanya Aston as the women’s designer.
Backstory: Abrand launched in 2013 and was founded by Melbourne, Australia-based denim house ThreeByOne (which also owns Neuw Denim and Rolla’s Jeans).
“We really built the brand up from influencers for nearly 10 years — we called it the ‘Asquad’ originally and worked with lots of people. For this season, we are doing an endorsement deal with Elsa Hosk who’s Scandinavian; we have a distribution business for Abrand in Sweden as well. We’re really into fashion denim, which is the capsule for the season,” Richard Bell, cofounder and marketing director of ThreeByOne, told WWD, adding the brand stands for offering the highest quality denim at affordable prices for youthful fashion women. “We are committed to delivering the hottest denim trends, however, we do this with long-lasting quality in mind. Garments that can be worn for years beat fast fashion every time.”
“We’re self-funded and independent. We love the idea that denim is synonymous with youth culture and art; we love being able to make high-quality product for the younger kids. What we’re finding is that the denim business is really strong, and we’re really leaning into this kind of fashion denim.”
“We believe there is no one delivering jeans of this quality, which is why Abrand is now the biggest independent denim brand in Australia. We are looking forward to partnering with the best retailers here to replicate the success we find at home in Oz,” Bell told WWD.
Key pieces: A “Fashion Denim Collection,” which will be photographed on Elsa Hosk for the brand’s campaign. Featured styles include pleated miniskirts, low maxiskirts, longline bandeau, slouch jacket, cropped denim vest, Carrie jean and a mid straight jean in blue and black denim washes, as well as long-sleeve tops and camisoles.
Retail prices: $119 to $149
Amambaih
Courtesy Amambaih
Brand: Amambaih
Designer: Mariela Schwarz Montiel
Backstory: Launched in 2022, Montiel is German and Paraguayan, based in Paris. The textiles are all handwoven by Indigenous female artisans in Paraguay and the shoes are handcrafted in Spain. For spring 2022, the brand debuted its first creative collaboration with Gabriela Hearst, creative director of Chloé, crating a range of footwear with the French brand.
Key pieces:The Carmen platform, Maria flat woven sandal, Amparo espadrille, Monica heeled bootie.
Retail prices: $360 to $525.
A look from Zimo.
Brand: Zimo
Designer: Zimo Yan
Backstory: Zimo launched in 2021 as an emerging designer label focused on celebrating Asian heritage via “documentary visions.” Prior to launching Zimo, the designer worked with the likes of Proenza Schouler, 3.1 Phillip Lim and Prabal Gurung.
“The motto of the label Zimo is ‘We the visions,’ which means we observe, we document and we present — so, we the visions. The label can be seen as a ‘fashion documentary,’” the brand said. Aligning with this concept, Zimo reflects contemporary society’s contradictory phenomena when it comes to garments and accessories, aiming to record the city’s vanishing culture and awaken group perceptions. Zimo upgrades, transforms and reconstructs these elements through the crash of diverse textiles, repurposed materials, collective craftsmanship and the combination with the modern silhouette. It seeks to express, imagine and awaken the memories of Asian heritage in a modern way, the brand told WWD.
Key pieces: Wool tweed plaid pants and button top; double-faced straight pants with vegan leather buttons; a vegan leather narrow sleeve blazer and curved line pants; jersey ruffle hem pants, cutout crop top, a red floral shrink dress, cutout VI jersey crop top, ruffle hem midi dress and asymmetric skirt; twill wool asymmetric tank; a floral jacquard balaclava; a twisted beading ruffle hem dress and a twisted rib beading sweater.
Retail prices: $190 to $1,500.
GREEN CULTURE: The Prada Group’s commitment to building a sustainable future are trickling down to socially charged projects as the company strengthens its ties with the Milan-based tree plantation initiative Forestami to debut the “Forestami Academy.”
Last year, the luxury group had revealed a partnership with the program spearheaded by Milan’s municipality, the Lombardy region, and other territorial entities to plant 3 million trees in the city by 2030 and help safeguard its natural environment.
Now Prada is adding an educational component to the project, pledging the organization of workshops, panels and outdoor activities over three years geared at educating citizens on urban forestation.
“Urban reforestation is at the center of international debate and is particularly relevant for Milan, a city that wants and has to offer more and more greenery. In addition to supporting the Forestami project as a whole, the Prada Group has decided to launch the Forestami Academy, a series of workshops dedicated to all citizens offering educational opportunities on these topics,” said Lorenzo Bertelli, Prada Group’s head of corporate social responsibility and an advocate of the project.
“As a group, we have always valued education and promoting culture and we are sure that the deep knowledge of the Italian and international speakers will be a great source of inspiration for attending audiences,” he said.
Lectures and workshops in the first year will focus on “Knowing Forests and Where They Grow,” held by British Columbia University professor Cecil Konijnendijk, FAO member and professor Simone Borelli and representatives from the Netherlands-based Delft University of Technology. The outdoor portion of the program is to be spearheaded by Giorgio Vacchiano, associate professor of the Department of Agricultural and Environmental Sciences at Milan’s Università Statale.
Interested citizens can apply starting Tuesday and until April 21 on a dedicated website.
In 2024, the courses will center on “Urban Forestry: Well-being and Health,” while in 2025 they will focus on the subject “Plants and Their Presence in Cities.”
Forestami Academy is not the first educational program jumpstarted by the Prada Group.
Last year, it wrapped the second edition of its Sea Beyond project, a partnership between the group and UNESCO’s Intergovernmental Oceanographic Commission composed of three main initiatives: an educational module for students all over the world, the launch of the Kindergarten of the Lagoon — a program of outdoor lessons for children in preschool — and an educational path specifically designed for the more than 13,000 employees of the company.
Published
13 hours agoon
March 20, 2023By
ironity
Underscoring the crucial role of creative events and unique storytelling in the luxury sector, Dior has promoted its longtime communications executive Olivier Bialobos to deputy managing director in charge of global communication and image, WWD has learned.
It’s a new role reporting to Delphine Arnault, who in February moved over from Louis Vuitton to become chairman and chief executive officer of Christian Dior Couture.
“I am delighted to be able to rely on Olivier’s great talent, expertise and commitment to accompany the house of Dior and its development in the coming years,” Arnault said in an internal announcement shared exclusively with WWD.
A 17-year veteran of the French fashion firm, Bialobos most recently served as One Dior chief communication and image officer, with oversight of the French house’s fashion and beauty activities.
Before that, his title was chief communication and image officer of Christian Dior Couture.
“For many years, Olivier has made an essential contribution to the image of Dior, notably through exceptional fashion shows, exhibitions and global events,” added Charles Delapalme, managing director of Christian Dior Couture.
Delapalme went on to call Bialobos “one of the strong pillars of the house.”
It is understood Bialobos will continue to have purview over all categories, from fashion and jewelry to beauty, to cultivate coherence across all brand expressions. For beauty matters, he reports to Véronique Courtois, who recently took the helm of Parfums Christian Dior.
Bialobos joined Dior in 2006 to head up the brand’s global communications effort, and nimbly shaped and shepherded the house image amid a succession of creative directors and CEOs. Early in his tenure he established Dior Héritage, the archive that allowed the brand to mount multiple exhibitions worldwide, and helped create its permanent Galerie Dior, a museum attached to the revamped 30 Avenue Montaigne flagship.
According to sources, the museum attracted more than 400,000 visitors in its first year of operation.
Meanwhile, the “Christian Dior: Designer of Dreams” showcase has logged successful runs in Paris, New York, London, Dallas, Shanghai and Chengdu, China, and is now on display at the Museum of Contemporary Art Tokyo.
Bialobos also lent his creative touch to innumerable Dior events, from its gingerbread-themed takeover of Harrods late last year to the pre-fall men’s show last December against a backdrop of the pyramids of Giza near Cairo.
He also launched the in-house Dior Magazine, which just published its 41st issue. It includes a feature and photo shoot with its jewelry ambassador Elizabeth Debicki.
Over the past five years, Bialobos quietly headed up the Dior Maison business unit, dreaming up table displays to outshine state or royal dinners, and unfurling high-profile collaborations with the likes of Philippe Starck, who last year put his inimitable spin on the maison’s signature medallion chair. He will continue in that capacity as well.
A popular and dapper figure on the French fashion scene, Bialobos started his career in communications at Escada, going on to become director of the KCD agency in Paris and spearheading the fashion and beauty communications strategy for Yves Saint Laurent alongside Tom Ford.
He went on to become director of press and international public relations at YSL, his last job before joining Dior.
The fall 2023 collections debuted just as dynamics in the workplace are beginning to shift again. With employers — facing a potential recession and, in many cases, cutting jobs — further urging workers to return to the office and a further sense of normality, attention is being paid to money — how it’s earned and what to wear to earn it.
On the fall runways this translated to a predominance of tailoring. But unlike in recent seasons, leisurely cuts fell by the wayside as designers favored a sharp-shouldered silhouette resembling bankers’ uniforms or the power shoulders of the ’90s.
At Alexander McQueen, Sarah Burton borrowed from the late house founder’s Savile Row roots to come up with some of the strongest suits of the season. Her jackets featuring lapels that twisted around the neckline and flap pockets accenting the hips were about the “anatomy of clothing,” she told WWD, “revisiting construction of garments then tearing it apart and subverting it.”
Gabriela Hearst sent out an equally empowering collection for Chloé, explaining that due to the current financial distress, “we need more [female] bosses right now, everywhere.” Details, like ancient-looking gold coin buttons on peak-lapel blazers, took cues from a biblical girl-boss, Queen Esther, who risked her life to save the Jewish people of the Achaemenid Empire.
Where Burton and Hearst stuck to traditional notions of “power dressing” with mannish trousers and a heavy dose of leather, Khaite’s Catherine Holstein took the theme a little less on-the-nose. By matching her structured jackets with wispy floor-length skirts, the designer proved there’s still room for a touch of softness in the boardroom.
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