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Burberry RTW Fall 2023

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Daniel Lee heard the call of the wild for his Burberry debut, which was bristling with faux fur, more trapper hats than Davy Crockett could have dreamed of, and a garden of rose prints and embellishments. 

Lee, who joined Burberry last October, had recently begun dropping hints about the direction he planned to take, although there were still a few surprises in store at Monday night’s show.

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The trench campaign he released two weeks ago was an ode to London, British creatives and the protective powers of the Burberry trench. Last week he sent show guests the lyrics to a song called “I’ll Keep You Warm,” by the London rapper John Glacier. 

At Monday night’s show, there were trays of hot toddies and hot chocolate, while seats were covered in thick blankets and the front row gift was a hot water bottle wrapped in Burberry check fabric.

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Yards and yards more checks then exploded onto the catwalk in wild color combinations and covered blanket coats, kilts, tights, stretchy shirts and bombers. 

In its nearly 170 years in business Burberry has never seen so much vibrant color. Gone are the Riccardo Tisci days of beige, and in their place are pairings of purple and green; orange and pink; burgundy and white in the shape of checks, diamonds and roses.

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Lee, no stranger to luxury brand revival, said he lifted ideas from Burberry’s “old fabric books that have been around for 100 years from the old English mills.” 

He added a bright yellow duck print to the mix, just because “I find it very British. It makes me think of the park and Burberry is an outdoors brand associated with the rain and protection. And the brand is about functionality,” he said.

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All of that buzzy color — including Donald Duck yellow — spilled onto new bag and shoe styles, faux fur scarves and trapper hats, categories that Burberry is hoping to pump up in the next years. 

The company’s chief executive officer Jonathan Akeroyd, who hired Lee and called him a rare talent with a knack for dreaming up bestsellers, wants to double the overall leather goods business, including footwear, as he nudges Burberry toward 5 billion pounds in sales in the long term.   

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Lee said he “loves making bags” and has been spending a lot of time at Burberry’s prototype factory outside Florence. He said he’s excited to develop a “narrative” for the bags in particular because Burberry doesn’t have a big history in the category. 

His designs were miles from the prim leather classics that Burberry has been selling so far and ranged from a deep purple hobo style to boxy leather ones edged in fur, or with raccoon-style tails dangling from the straps. One looked like an upside-down bearskin swiped from the British Foot Guards who protect the monarch. 

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On the footwear front there were outdoorsy boots with rugged soles, and more delicate styles sprouting fur from all angles. 

It’s a whole new frontier for Burberry and while Lee’s vision still has to come into focus, he’s made a gutsy move taking the brand into uncharted territory. 

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Claire McCardell’s American Style to Be Spotlighted at Museum at FIT

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The renewed interest in the work of Claire McCardell is still going strong, with the Museum at FIT gearing up for Wednesday’s opening of “Claire McCardell: Practicality, Liberation, Innovation.”

Decades have passed since the designer pioneered the American look, but her influence on American sportswear prevails. Zippers, pockets, ballet flats and wrap dresses were all part of the designer’s arsenals of firsts. Tory Burch, whose spring-summer 2022 collection was inspired by McCardell, is a champion of her work. Somehow, 65 years after her death in 1958 at the age of 52, the designer’s work is gaining more interest with new generations of creatives.

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Strong-willed and pragmatic, McCardell’s indelible mark — the understated (but not undone) casual American look — was forward-thinking in the previously cookie-cutter dressing of the mid-’50s. Well-proportioned and affordable, her clothes, which spanned from bathing suits to ready-to-wear, were designed with a wide range of body types in mind. Understanding that “clothes may make the woman, but the woman can also make the clothes,” McCardell once said, “When the dress runs away with the woman, it’s a horror.”

Nine McCardell-crafted garments drawn from the Study Collection at the Museum at FIT will be on display through April 16 on the FIT campus. Seniors in the school’s art history and museum professions undergraduate program Nico Frederick, Christina Pene, and Emma Sosebee have curated the show, which also includes reproductions of advertising,

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In addition to the student-curated show at the Museum at FIT, the “Claire McCardell” exhibition is on view at the Maryland Center for History and Culture’s Museum in Baltimore through November. McCardell’s designs are featured with family letters, interviews and archival documents. The show was curated by the Tory Burch Claire McCardell fashion fellow Robyn Levy, whose fellowship was made possible by the Tory Burch Foundation. Last year Burch penned the foreword for the reissue of McCardell’s 1956 book “What Shall I Wear? The What, Where, When and How Much of Fashion.”

On another front, the Museum at FIT will unveil “¡Moda Hoy! Latin American and Latinx Fashion Design Today” on May 31. The exhibition will celebrate the work of designers of Latin American descent including stalwarts like Aldolfo Sardiña, Carolina Herrera, Oscar de la Renta, Alexandre Herchcovitch, Edmundo Castillo, Victor Alfaro, and Haider Ackermann, as well as Willy Chavarria, Maria Cornejo, Isabel Toledo, Gabriela Hearst, Jonathan Cohen, Nous Etudions’ Romina Cardillo, Luar’s Raul Lopez and Kika Vargas. With text in English and Spanish, the show will feature 60 objects from the museum’s permanent collection, including multiple new acquisitions. The show will run through Nov. 12.

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Diane von Furstenberg Exhibition Slated for Brussels Fashion & Lace Museum

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Diane von Furstenberg will be the subject of an upcoming exhibition at The Fashion and Lace Museum in Brussels, where the designer was born.

“Woman Before Fashion,” which will be on view from April 21 to Jan. 7, 2024, will explore von Furstenberg’s career in fashion with a focus on the iconic wrap dress, as the silhouette prepares to celebrate its 50th anniversary in 2024.

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The museum’s curator, Nicolas Lor, has divided the exhibition into four chapters, recognizing von Furstenberg as both a person and a designer. The pieces presented in the exhibition came from the archives of the House of Diane von Furstenberg.

“It is both exciting and emotional to be honored with the first European exhibition of my work in my native city, Brussels,” said von Furstenberg.

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The Fashion & Lace Museum, founded in 1977, is housed in a group of historic houses in the heart of Brussels close to the Grand-Place. It holds some 20,000 items. Lace, clothing and accessories are on display dating from the 16th century. Its collections are the most important in the world for Brussels’ creation and clothing.

As reported, Lor has also written a book called “Woman Before Fashion,” which will be published by Rizzoli in late September and ties in with the exhibition. The book features nostalgic and contemporary photographs of DVF’s journey as a designer, featuring original essays discussing the intersection of DVF and her designs with feminism, gender politics and entrepreneurship. It also shows the wrap dress worn by DVF, and models such as Jerry Hall, Naomi Campbell and Cindy Crawford.

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In addition, von Furstenberg is the subject of a documentary being directed by Sharmeen Obaid-Chinoy, a Pakistani-Canadian journalist, filmmaker and activist, which will be out in January on Hulu.

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G-Star Raw Releases AI-designed Denim Collection

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G-Star Raw is going deeper into the technology space with its latest denim launch.

The fashion brand on Tuesday released an AI-designed denim collection that was created with AI app Midjourney. With the app, G-Star Raw created 12 cape-like denim designs and ultimately manufactured one style, which will be displayed at the brand’s Antwerp store. 

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“Innovation is ingrained in the G-Star DNA,” said Gwenda van Vliet, chief merchandising officer at G-Star Raw. “We believe in giving our fashion designers the freedom to bring their dreams through AI. While anyone could make a design using AI, at G-Star Raw we have the craftsmanship to make those designs into real garments. We should see AI as enhancing the creative process, rather than taking it over.” 

G-Star Raw's AI-designed denim

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G-Star Raw’s AI-designed denim.

Courtesy of G-Star Raw

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G-Star Raw’s AI-designed denim collection falls in line with the recent wave of AI technology infiltrating the fashion industry. There have been apps such as Midjourney and Stable Diffusion, which are art and image generators, and ChatGPT, which generates elaborate written responses based on a user’s prompt. 

While these AI platforms are still new to the fashion world, some companies have already started embracing them. For example, Pantone looked to Midjourney last December to create an immersive visual experience for its 2023 Pantone color of the year, Viva Magenta. 

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The AI-designed collection is also G-Star Raw’s first major initiative of the year. Last year the brand introduced a “Haute Denim” hat collection created by designer Stephen Jones. The brand also released a campaign last fall featuring model Cara Delevingne for its fall denim campaign.

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